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Use this search interface to find scores available for loan, rental and/or for purchase from the CMC. Also, listen and view sample works and music by CMC's Associate Composers. To find Published Scores available for purchase, please visit Buy a Recording.
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Item Details
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Composer
Name of Work
Name of Work
Call No.
Year Created
Year Created
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Biography
Additional People:
Wayne Strongman; Robert W. Stevenson; Christopher Foley
Additional Orgs:
Tapestry Music Theatre
Degree of Difficulty:
Not Applicable
Physical Description:
1 streaming audio file ; (27:12)
Physical Description:
This is a streaming audio track, part of the CentreStreams project. CentreStreams is made possible through the support of the Department of Canadian Heritage, the Audio-Visual Preservation Trust of Canada and CBC Radio 2.
Physical Description:
Ceci est une piste de son en continu, du projet Musiflots. Musiflots a été mis sur pied grâce au soutien du ministère du Patrimoine canadien, du Trust pour la préservation de l'audiovisuel et de CBC Radio 2.
Instrumentation:
Violin - 1
Violoncello - 1
Clarinet - 1
Piano - 1
Unknown percussion - 1
Violoncello - 1
Clarinet - 1
Piano - 1
Unknown percussion - 1
Notes:
A one-act opera for soprano, baritone; violin, violoncello; clarinet, piano and percussion.
Performers: Lynne McMurtry, soprano; Ian Funk, baritone; Tapestry New Opera Ensemble; Wayne Strongman, conductor.
From a concert in the Glenn Gould Studio, Toronto, broadcast on the TWO NEW HOURS programme on CBC radio. There is commentary pertaining to this work, with host Larry Lake in conversation with composers Abigail Richardson, James Rolfe and director Wayne Strongman, before the actual work. On the archived .wav file, the work itself begins at 10:00, after the commentary.
Performers: Lynne McMurtry, soprano; Ian Funk, baritone; Tapestry New Opera Ensemble; Wayne Strongman, conductor.
From a concert in the Glenn Gould Studio, Toronto, broadcast on the TWO NEW HOURS programme on CBC radio. There is commentary pertaining to this work, with host Larry Lake in conversation with composers Abigail Richardson, James Rolfe and director Wayne Strongman, before the actual work. On the archived .wav file, the work itself begins at 10:00, after the commentary.
