In the fire of conflict
marimba, crotales and digital audio

Christos Hatzis
Christos Hatzis
Date de composition : 2009
Genre: Works with Electronics / Multi-Media, Solo Works, Percussion


Instrumentation no. 1:
  • 1 x Marimba
  • 1 x Bande
Notes de programme :
While the composer recommends performance with 4.1 stereo surround sound where possible, there are three options for playback and performance of the digital audio part:
Option 1. 4.1 stereo surround
Option 2. stereo playback with subwoofer
Option 3. stereo playback

The performance set includes both an audio CD, with stereo playback option, and a data CD.

The data CD (PE108_DCD) contains WAV audio file tracks for both the 4.1 stereo surround and stereo playback with subwoofer performance options. This Data CD also contains stereo practice tracks, which includes a click track mixed into the digital audio part (not intended for performance).

Contents of PE108_DCD (all WAV audio files):
Folder 1. 2 practice tracks (stereo playback with click), movements I and II
Folder 2. 4 tracks (stereo playback and LFE subwoofer), movements I and II
Folder 3. 10 tracks (Left, Right, LFE, Left Surround, Right Surround), movements I and II


  • Cote:
  • MI 9130 H367in
  • Genre:
  • Works with Electronics / Multi-Media, Solo Works, Percussion
  • Date d'acquisition :
  • January 28, 2010
  • Type:
  • Partition, éditée
  • Description physique :
  • 1 score (27 p.) + 1 part + tape part; 28 cm.
    27 pages
    Hauteur: 28 cm
    This piece includes a tape part
  • Renseignements supplémentaires :
  • In the Fire of Conflict is named after the theme for the 2008 Toronto Summer Music Festival for which it was originally composed. This version for solo marimba/crotales was composed for percussionist Beverley Johnston. Set in two continuous movements, the live percussion is performed with the rap music in the digital audio part, sourced from American rapper Steve Henry a.k.a. 'Bugsy H.', of the Christian rap group Poetik Disciples. The solo percussion weaves constantly around the rap lyrics, often drawing melodic contours from the prosodic contours of the spoken text.
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  • Printed copies of this title are available from Promethean Editions. Please contact the publisher directly.
    Édité par Promethean Editions
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